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Cinematic Arts Major (BA)

George Fox Cinematic Arts majors study at one of the top Christian colleges in the Pacific Northwest.

ALSO OFFERED AS A MINOR

Are you passionate about film? The cinematic arts major can help you pursue that passion, developing your creative and critical skills in the studio and the classroom.

The major combines the liberal arts emphasis of communication arts with hands-on experience in video, film and digital media production. Students choose among four concentrations that prepare them for a wide variety of jobs, ranging from commercial filmmaking to recording rock bands, from crafting 3D animation and special effects to shooting documentaries in third-world countries.

All our cinematic arts majors are grounded in certain theoretical and general production courses. Areas of concentration are particular blends of course work that emphasize aspects of the cinema and media industry. Our students put that knowledge into use through a series of intensive, hands-on projects. All our students complete at least one internship to help them channel their passion into a career.

All courses are taught from a Christian worldview where faith is integrated into learning – and in a classroom setting where professors know you by name.

Cinematic arts studio area 1
Cinematic arts studio area 2

'Reel' World Experience

As part of their education about the film industry, George Fox students travel to the Sundance Film Festival in Park City, Utah, to screen films and learn about contemporary independent filmmaking from some of the world's top industry artists and experts. Plans call to attend the Sundance Film Festival – the largest independent film event in the United States – every other year. While at Sundance, students also participate in events such as the Windrider Forum, an event organized by Fuller Theological Seminary that integrates themes and questions of faith with film.

Choose from four concentrations:

Whether it’s creating a chest-pounding dance mix or a gut-wrenching sound effect for a movie, our Audio Production students harness the power of sound in artistic, creative ways. Students record in our 5.1 surround-sound recording studio complete with hidden Foley pits, using cutting edge digital devices as well as warm old-school ribbon mics and tube preamps. Graduates of the program have gone on to cut sound for Z Nation, and Larson Sound Studios in L.A.

The lights come up at the end of the film, and you can’t wait to go get a coffee and talk about the film long into the night. You may be a cinephile. Students in the Film Studies concentration learn about cinema history, theory and media criticism alongside elements of hands-on film production. This is a great concentration for those who aspire to write about, teach or critique film and media.

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Kayla caldeira instagram story

Cinematic Arts Major Instagram Tour

Learn more about the cinematic arts major at George Fox from student Kayla caldeira.

Videos

Students at Sundance Students at Sundance //player.vimeo.com/video/291824187?autoplay=1
Cinematic Arts: New Equipment Cinematic Arts: New Equipment //player.vimeo.com/video/255788561?
Alumni Enhance Civil War Experience Alumni Enhance Civil War Experience //www.youtube.com/embed/iuP4315IE-o?autoplay=1
George Fox Film Festival George Fox Film Festival //player.vimeo.com/video/40490647?autoplay=1
Cinematic Arts Major Cinematic Arts Major //player.vimeo.com/video/6421511?autoplay=1
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Major Requirements

Core requirements (21 hours)

Choose one of the following:

An historical examination of the moving image, including television programming and film in the United States. Employs contextual and ethical methods for illuminating the relationship of these media artifacts to modern culture, both secular and religious.
Film is a truly an international medium, stretching across borders, decades, and cultures. Students will study international films in terms of the historical, cultural, political, and economic forces that shaped them.

Complete the following:

An introduction to film as a narrative and visual medium, emphasizing the terms, methods and techniques of film analysis, as well as prominent critical theoretical approaches to understanding film.
Survey of the historical development of newspapers, magazines, broadcast media, and cinema. Analysis of the role(s) of mass media in shaping and altering opinion and values in contemporary culture.

Complete the following:

An introduction to the language and the technical, creative, and aesthetic elements of the video production process. Course includes basic lighting, sound, camera operation, composition, and design of visual elements, producing, and directing through both classroom and supervised laboratory experiences.
Concentrating on recording, editing, and mixing multitrack audio on a digital platform. The course will look at special recording techniques for (a) human voices in speaking, singing, and dramatic performance; (b) musical instruments; (c) dramatic sound effects. Students will complete projects in editing and mixing of multitrack sound programs.
This class helps prepare students for entry into the professional realm by developing networking and marketing strategies, and by preparing a professional reel of their best work, which will be critiqued by members of the local media industry. Prerequisite: senior status. Additional course fee required.

Choose one of the following:

An introduction to the styles, techniques, content, and forms of television writing. Both dramatic (sitcom and dramatic features) and nondramatic (news and informational) forms of writing are covered. The writing of several short scripts is required in the course. Prerequisite: Successful completion of the college writing competency, enrollment in the Honors Program, or instructor permission.
An introduction to the art of writing for film. Dramatic structure is emphasized and plot scenarios, dialogue, and characterization are among several topics examined and exercised. Students create scripts for original features, short films, or plays. The writing experience is complemented through an examination of the business aspects of writing, including spec-scripts, agents, and the Hollywood system.

Complete one of the following options:

Students can complete 2 credits of CINE 475 Field Experience or 1 credit of CINE 475 and 1 credit of CINE 474 Corporate Video Production.

Working with a client is an essential skill for the video professional. This course will prepare students to work collaboratively and creatively alongside a client while gaining hands-on experience.
An internship experience designed to give students an opportunity to practice video and film techniques and principles in an off-campus, professional setting. Students choose from a variety of options - cable, broadcast, corporate, medical, or commercial production facilities - based on the student's goals and interests. Up to 6 hours may apply to the cinematic arts major. Pass/No Pass. Prerequisite: instructor's permission.

Concentrations (24-27 hours) - choose one

Students in the animation concentration study techniques for producing 2D, 3D and stop motion animation and visual effects using a combination of creativity, aesthetics, and computer software.

Complete the following:

This course is an introduction to industry-standard graphic design applications such as Adobe Illustrator, Photoshop and InDesign. Additional course fee required.
Art majors given preference. This course is a study of materials, methods, and techniques used for drawing with pencil, ink, charcoal, and other drawing media. Additional course fee is required.
This is the study of pre-production and previsualization techniques used in animation. Topics include developing story, storyboarding, concept design, and editing animatics. Additional course fee required. Prerequisites: ARTD 110 Creative Suite and ARTS 111 Drawing I or instructor's permission.
This is an introduction to the fundamentals of animation production, from traditional hand drawn techniques to stop motion animation. In this hands-on workshop, students will produce short animation projects. Additional course fee required.
This is an introduction to 2D computer animation using industry standard software and techniques. Students will create character animations and short animation projects. Additional course fee required. Prerequisite: ARTD 110 Creative Suite and CINE 212 Introduction to Animation or instructor’s permission.
This is an introduction to 3D computer animation using industry standard software and techniques. Emphasis is placed on modeling texturing, lighting and rendering. Students will create original 3D artwork. Additional course fee is required. Prerequisite: ARTD 110 Creative Suite.
Students explore different means of producing visual effects using digital computer imaging, blue-screens, compositing, and old-fashioned movie magic. Students will also learn how to create animated text sequences and video graphics. Additional course fee required.
This is an advanced course in 3D computer animation using industry standard software and techniques. Emphasis is placed on rigging and character animation. Students will create short animation projects. Additional course fee required. Prerequisite: CINE 212 Introduction to Animation and CINE 312 3D Computer Animation I
In this intensive hands-on production course, students will draw on all their filmmaking skills to produce 10- to 30-minute shorts - narrative, documentary, or animated - for their portfolios and film festivals. This semester focuses on preproduction and production, including script breakdown, casting, and actual filming. Prerequisites: one of the following: CINE 310 Intermediate Directing, CINE 320 Dramatic Scriptwriting, CINE 333 Camera & Lighting, CINE 343 Sound Design, CINE 350 Editing Video, CINE 430 Producing & Directing Video, or instructor's permission. Admission to the class is a competitive process based on the student proposal and script. Additional course fee required.

Suggested Electives (not required)

Introduction to the materials, methods, and techniques used in photography. Additional course fee is required.
Practice and Theory pertaining to drawing the human figure from live models. Translating the 3 dimensional figure to 2 dimensions will be the first priority, along with exploration and study in historical and contemporary figural interpretations. Both traditional and non-traditional mediums will be explored with the intent of gaining competence and confidence in the use of figural subject content in a variety of mediums. Additional course fee is required. Prerequisite: ARTS 111 Drawing I, or instructor’s permission.
Upper division students will be given more latitude in the creative application of the concepts stated in Figure Drawing I. Additional course fee is required. Prerequisite: ARTS 311 Figure Drawing I or instructor’s permission.
This course explores the various camera and lighting techniques used in film and digital video production. Students will focus on applying lighting techniques and camera movement to create specific visual effects. Students will apply the ideas discussed in the text and lectures to a series of in-class explorations, in addition to scenes filmed outside of class. Prerequisite: CINE 230 Introduction to Video Production or instructor's permission. Additional course fee required.
An internship experience designed to give students an opportunity to practice video and film techniques and principles in an off-campus, professional setting. Students choose from a variety of options - cable, broadcast, corporate, medical, or commercial production facilities - based on the student's goals and interests. Up to 6 hours may apply to the cinematic arts major. Pass/No Pass. Prerequisite: instructor's permission.
This course continues the project started in Advanced Production Workshop I into postproduction, including editing, sound design, color correction, and DVD authoring. Prerequisite: CINE 481 Advanced Production Workshop I or instructor's permission.
Students in the audio production concentration focus on audio techniques for music recording and mixing; sound design for film, video and new media and production for radio.

Complete the following:

This class explores the use of digital sound technology to record, edit, and mix audio for film and television. Students will use their audio skills to record sound both in the field and in the recording studio. Prerequisite: CINE 243 Introduction to Audio or instructor's permission.
Students will learn to record music and vocal tracks in a digital multitrack studio environment. Students will produce music, advertising, and other audio projects in this hands-on studio course. Prerequisite: CINE 243 Introduction to Audio or instructor's permission.
Theory and practice in editing the moving image. Analysis of Hollywood and avant-garde styles of editing is followed by practice exercises illustrating each concept. Additional course fee required. Prerequisite: CINE 230 Introduction to Video Production or instructor's permission.
In this intensive hands-on production course, students will draw on all their filmmaking skills to produce 10- to 30-minute shorts - narrative, documentary, or animated - for their portfolios and film festivals. This semester focuses on preproduction and production, including script breakdown, casting, and actual filming. Prerequisites: one of the following: CINE 310 Intermediate Directing, CINE 320 Dramatic Scriptwriting, CINE 333 Camera & Lighting, CINE 343 Sound Design, CINE 350 Editing Video, CINE 430 Producing & Directing Video, or instructor's permission. Admission to the class is a competitive process based on the student proposal and script. Additional course fee required.

Choose 12 hours of the following:

2-3 credits of CINE 475 can be applied to this requirement.

Working with professionals in the contemporary Christian music field, students will learn basic techniques of songwriting including lyrics and song structure. Students will write their own songs, which they will then produce and record. Prerequisite: CINE 243 Introduction to Audio or instructor's permission.
An internship experience designed to give students an opportunity to practice video and film techniques and principles in an off-campus, professional setting. Students choose from a variety of options - cable, broadcast, corporate, medical, or commercial production facilities - based on the student's goals and interests. Up to 6 hours may apply to the cinematic arts major. Pass/No Pass. Prerequisite: instructor's permission.
This course continues the project started in Advanced Production Workshop I into postproduction, including editing, sound design, color correction, and DVD authoring. Prerequisite: CINE 481 Advanced Production Workshop I or instructor's permission.
A study of various aspects and types of jazz, from blues to jazz rock. Students will discover the great jazz artists and learn how to listen to a variety of jazz idioms.
Introductory work with technological resources basic to work in the music field. Includes hands-on experience with MIDI and sequencing, music notation programs and desktop publishing, digital sound formats, and basic Web authoring.
An introductory study of the principles of stage lighting and sound design for theatrical production. The emphasis will be on both design and operation of sound and lighting equipment. Students will apply theory through a number of projects. Additional course fee is required. Prerequisite: THEA 130 Stagecraft or instructor' permission.
OR

Up to 15 semester hours of coursework at the Contemporary Music Center Program in Nashville.

The study of the moving image incorporates cinema history, media criticism and elements of hands-on film production.

Complete the following:

This course explores the various camera and lighting techniques used in film and digital video production. Students will focus on applying lighting techniques and camera movement to create specific visual effects. Students will apply the ideas discussed in the text and lectures to a series of in-class explorations, in addition to scenes filmed outside of class. Prerequisite: CINE 230 Introduction to Video Production or instructor's permission. Additional course fee required.
Theory and practice in editing the moving image. Analysis of Hollywood and avant-garde styles of editing is followed by practice exercises illustrating each concept. Additional course fee required. Prerequisite: CINE 230 Introduction to Video Production or instructor's permission.
In this intensive hands-on production course, students will draw on all their filmmaking skills to produce 10- to 30-minute shorts - narrative, documentary, or animated - for their portfolios and film festivals. This semester focuses on preproduction and production, including script breakdown, casting, and actual filming. Prerequisites: one of the following: CINE 310 Intermediate Directing, CINE 320 Dramatic Scriptwriting, CINE 333 Camera & Lighting, CINE 343 Sound Design, CINE 350 Editing Video, CINE 430 Producing & Directing Video, or instructor's permission. Admission to the class is a competitive process based on the student proposal and script. Additional course fee required.

Choose 15 hours of the following:

Students must choose 15 hours of electives from CINE offerings, which may also include THEA 370 Directing for Theatre

Cinematic Arts (CINE) Course Descriptions

An introduction to the director's role in theatre through historical and artistic research, comprehensive structural analysis, scene work, the creation of composition, stage pictures, blocking, rhythm, tempo, and an exploration of the working relationships with actors and design teams. This course requires additional outside-of-class time for rehearsal and performance of selected material. Prerequisite: THEA 100 Acting I - Fundamentals.
OR

Up to 15 semester hours of course work at the Los Angeles Film Studies Center

The study of the moving image incorporates cinema history, media criticism and elements of hands-on film production.

Choose one of the following:

Both courses must be taken, regardless of which fulfills the Theory Core requirement.
An historical examination of the moving image, including television programming and film in the United States. Employs contextual and ethical methods for illuminating the relationship of these media artifacts to modern culture, both secular and religious.
Film is a truly an international medium, stretching across borders, decades, and cultures. Students will study international films in terms of the historical, cultural, political, and economic forces that shaped them.

Complete the following:

This course explores the various camera and lighting techniques used in film and digital video production. Students will focus on applying lighting techniques and camera movement to create specific visual effects. Students will apply the ideas discussed in the text and lectures to a series of in-class explorations, in addition to scenes filmed outside of class. Prerequisite: CINE 230 Introduction to Video Production or instructor's permission. Additional course fee required.
Theory and practice in editing the moving image. Analysis of Hollywood and avant-garde styles of editing is followed by practice exercises illustrating each concept. Additional course fee required. Prerequisite: CINE 230 Introduction to Video Production or instructor's permission.

Choose 15 hours of the following:

Students must choose 15 hours of electives from CINE and COMM offerings.

Cinematic Arts (CINE) Course Descriptions

Communication Arts (COMM) Course Descriptions

OR

Up to 15 semester hours of course work at the Los Angeles Film Studies Center

Jobs and Internships

Cinema and Media Communication majors at George Fox study at one of the West Coast's top Christian colleges

According to the Bureau of Labor Statistics, employment of film and video editors is projected to grow 17 percent from 2016 to 2026, much faster than the average for all occupations. Production companies and video freelancers are working with new content delivery methods, such as mobile devices or through online TV, which may lead to more work for editors and camera operators.

  • Producer, Portland Trail Blazers
  • Sound Editor, Z Nation, SyFy Network
  • Program Coordinator, Portland Teen Idol
  • Audio Engineer, Larson Sound Studios 
  • Production Assistant, Grimm, NBC 
  • Media Coordinator, St. Luke Productions 
  • Editor and Audio Engineer, West Maui Media Group
  • Administrative Assistant, Post Factory
  • Video Producer, Luis Palau Association
  • Production Coordinator, LAIKA/House
  • Set Production Assistant,  The Librarians, ABC
  • Animator and Editor, NBC Sports
  • Program Specialist, Washington State Department of Agriculture
  • Chief Communications Officer, Clash of Orbs
  • Video Producer, Oregon State University
  • Audiovisual Technician, Nike
  • Office Production Assistant, Walt Disney Studios
  • Director of Strategic Information, Boyd Coffee
  • Production Intern, Portlandia, IFC
  • Documentary Production, Actuality Media, Istanbul, Turkey
  • Media Intern, Portland General Electric
  • Radio Promotions & Programming, Radio Tri-Cities, Spokane, Wash. 
  • Audio Intern, 48 Windows, Hollywood, Calif. 
  • Documentary on Sex Trafficking, Cambodia
  • Audio Intern, Kung Fu Bakery Recording Studios, Portland

In the News

Quincy Woo

Filmmaker honored at Oregon Independent Film Festival

Quincy Woo calls his film Us. Them. Me. an “extracurricular side project.” The Oregon Independent Film Festival called it the best dramatic short film of the year in its 2017 competition, honoring Woo and other winners at an awards ceremony in September.

A cinema and media communication major, Woo directed, filmed and edited the 17-minute film in his final semester at George Fox. Filming took four weekends followed by months of editing with the assistance of classmates “who were just as crazy and excited to help me out,” says Woo. The resulting film won the 18th annual Fox Film Festival Best Picture award in 2016. Read more …

Student Experiences

Gaby Sipe

"My time as a cinematic arts major at George Fox was a truly enriching experience. My professors were extremely knowledgeable, encouraging, and made me feel prepared to work in the industry. The program is full of passion that intertwines with a desire to bring honor to God through our creation of art. We were encouraged to use the creativity that we were blessed with and share it with those around us."

- Gaby Sipe
Class of 2019

Emily Hamilton

"There are a range of incredible opportunities to take advantage of as a cinematic arts major, whether it be traveling to freezing Park City for Sundance, or taking part in the Fox Film Festival and seeing your work on the big screen. My favorite memories come from working with incredible friends on projects we truly believed in. I graduated from George Fox with a wider view of the world, prepared to pursue a career that I love."

- Emily Hamilton
Class of 2017

A.J. Cuddeford

“Support from my cinematic arts professors was constant and genuine, and they encouraged me to carry that same mindset into the rest of my life, wherever that might take me. I will remember every second and am more and more thankful every day for my time at George Fox.”

- A.J. Cuddeford

Points of Distinction

  • Our students have been introduced to film professionals, including the editor of Avatar, the sound designer for Rise of Planet of the Apes, and the writer of Admission in in-class interviews. We also have great relationships with adjunct instructors from Laika Studios (which produced Coraline and ParaNorman), SOMA Games, and other film and video producers from Portland's film community, who have been instrumental in helping our students find internships in the media industry.
  • Work at Channel 12 Fox/UPN, Luis Palau Ministry or the Oregon Film and Video Office, among others.
  • For those interested in working with the film format and networking in Los Angeles, there is the opportunity to spend a semester at the LA Film Studies Center. Courses also are offered at the Northwest Film Center in Portland, including introductory and intermediate cinematography courses as well as an optical printing course.
  • Our students get the opportunity to showcase their films both locally and, potentially, nationally. 
  • Our Media Communication Center houses the multimedia graphics computer lab and supports cinematic arts and graphic design majors. With a 24-seat computer lab, an editing bullpen, a sound stage, and a state-of-the-art recording studio, the center has everything a student needs to create and output quality video, multimedia, and graphic design production.
  • Showcase your skills at our annual Fox Film Festival that honors student filmmakers. Watch a video
  • We are one of the top film and animation production programs offered by Christian liberal arts universities in the Pacific Northwest. There are few CCCU schools that offer film and animation production programs on the West Coast outside of Southern California.
  • We offer an exciting, growing animation production option located close to Portland, one of the best cities in the world for stop motion animation (with Laika, The Bible Project, and other major animation studios in the Portland area).
  • We offer hands-on production classes where students learn film by making films

Why George Fox?

Christ-centered community

Our faith influences everything we do here, from the way our professors teach to the way we relate to one another and serve in the community.

Global opportunities

More than half of George Fox undergraduate students study abroad, ranking George Fox among the nation's leaders in study abroad participation (U.S. News & World Report).

Small classes

Our 14-to-1 student-to-faculty ratio means you'll get to know your professors on a personal level.

National recognition

George Fox University is a Christian university classified by U.S. News & World Report as a first-tier national university, and Forbes ranks George Fox among the highest Christian colleges in the country.

Cinematic Arts Faculty

Four-Year Course Plan

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